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Landscape with Distant River and Bay, c. 1840-50; Oil on canvas, 94 x 124 cm; Musée du Louvre, Paris

Landscape with Distant River and Bay, c. 1840-50; Oil on canvas, 94 x 124 cm; Musée du Louvre, Paris

J. M. W. Turner, Ulysses deriding Polyphemus: Homer’s Odyssey (detail), 1829. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires.

J. M. W. Turner, Ulysses deriding Polyphemus: Homer’s Odyssey (detail), 1829. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires.

J. M. W. Turner, Staffa, Fingal’s Cave (detail), 1832  Turner quoted on his death bed: 'The sun is God'

J. M. W. Turner, Staffa, Fingal’s Cave (detail), 1832 Turner quoted on his death bed: 'The sun is God'

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