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Ludwig van Beethoven (1770-1827), silhouette (1903), by Hans Schließmann (1852-1920).

Ludwig van Beethoven (1770-1827), silhouette (1903), by Hans Schließmann (1852-1920).

Ludvig van Beethoven: Genius, Inspiration and Musical Revolutionary | Facts 'O Fun

Ludvig van Beethoven: Genius, Inspiration and Musical Revolutionary

Ludvig van Beethoven: Genius, Inspiration and Musical Revolutionary | Facts 'O Fun

Ferdinando Paer (1771-1839), lithograph (1819), by Heinrich Winter (1788-1825), published in Portraite der berühmtesten Compositeurs der Tonkunst, plate 75.

Ferdinando Paer (1771-1839), lithograph (1819), by Heinrich Winter (1788-1825), published in Portraite der berühmtesten Compositeurs der Tonkunst, plate 75.

Ludwig van Beethoven - Different face

Ludwig van Beethoven - Different face

Joseph Haydn (1832-1809), engraving (1791), by Francesco Bartolozzi (1727-1815).

Joseph Haydn (1832-1809), engraving (1791), by Francesco Bartolozzi (1727-1815).

http://www.komponistenquartier.de/die-museen/brahms-museum/

http://www.komponistenquartier.de/die-museen/brahms-museum/

Ambroise Thomas (1811-1896), photograph (1895), by Eugène Pirou (1841-1909), published in Centenaire du Conservatoire national de musique et de declamation.

Ambroise Thomas (1811-1896), photograph (1895), by Eugène Pirou (1841-1909), published in Centenaire du Conservatoire national de musique et de declamation.

a working manuscript score for a piano version of Beethoven's "Grosse Fuge," a monument of classical music. And it was in the composer's own hand, according to Sotheby's auction house. The 80-page manuscript in mainly brown ink - a furious scattering of notes across the page, with many changes and cross-outs, some so deep that the paper is punctured - dates from the final months of Beethoven's life.

A Historic Discovery, in Beethoven's Own Hand

a working manuscript score for a piano version of Beethoven's "Grosse Fuge," a monument of classical music. And it was in the composer's own hand, according to Sotheby's auction house. The 80-page manuscript in mainly brown ink - a furious scattering of notes across the page, with many changes and cross-outs, some so deep that the paper is punctured - dates from the final months of Beethoven's life.

Giovanni Pierluigi da Palestrina (1525-1594), lithograph (1818), by Heinrich Winter (1788-1825), published in “Portraite der berühmtesten Compositeurs der Tonkunst”, plate 66.

Giovanni Pierluigi da Palestrina (1525-1594), lithograph (1818), by Heinrich Winter (1788-1825), published in “Portraite der berühmtesten Compositeurs der Tonkunst”, plate 66.

Portraits de gens célèbres par Felix Nadar Jaques Offenbach photo photographie histoire bonus

Portraits de gens célèbres par Felix Nadar

Portraits de gens célèbres par Felix Nadar Jaques Offenbach photo photographie histoire bonus

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