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The Hindu deity Parvati Place of Origin: Cambodia, former kingdom of Angkor Date: approx. 975-1025 Materials: Sandstone Style or Ware: Baphuon Dimensions: H. 41 in x W. 13 1/2 in x D. 6 in, H. 104.1 cm x W. 34.3 cm x D. 15.2 cm Credit Line: The Avery Brundage Collection Department: Southeast Asian Art Collection: Sculpture

The Hindu deity Parvati Place of Origin: Cambodia, former kingdom of Angkor Date: approx. 975-1025 Materials: Sandstone Style or Ware: Baphuon Dimensions: H. 41 in x W. 13 1/2 in x D. 6 in, H. 104.1 cm x W. 34.3 cm x D. 15.2 cm Credit Line: The Avery Brundage Collection Department: Southeast Asian Art Collection: Sculpture

Sculptures Japonais,Des Projets Pour Essayer

Lot : CAMBODGE Khmer. Siem Reap. Angkor. Phnom Bakheng, X°siècle. - Importante[...] | Dans la vente Art d'Asie à Arnaud Yvos - Var Enchères

Lot : CAMBODGE Khmer. Siem Reap. Angkor. Phnom Bakheng, X°siècle. - Importante[...] | Dans la vente Art d'Asie à Arnaud Yvos - Var Enchères

Kuan Yin image of buddha, Female Buddha of Compassion.  Wood carving in Thailand | ©Aspatsara Sirirodchanapanya

Kuan Yin image of buddha, Female Buddha of Compassion. Wood carving in Thailand | ©Aspatsara Sirirodchanapanya

Divinité Cambodge, art khmer Style Baphuon XIe siècle Grès gris H. : 41 cm © Galerie Jacques Barrère, photo : Michel Gurfinkel

Divinité Cambodge, art khmer Style Baphuon XIe siècle Grès gris H. : 41 cm © Galerie Jacques Barrère, photo : Michel Gurfinkel

佛教藝術 -北齊時代的石造佛立像(半側圖)   北齊(550-577)  石灰岩 H196×W45.5cm    青州北齊單體佛像,亦採取了印度笈多藝術鹿野苑式表現手法,如館藏石造佛立像,袈裟服薄貼體,衣紋疏簡,淺薄流暢的陰刻衣紋,順著身軀結構起伏,整體平滑光潔,潤澤的面體,疏潔的淳潤風格,使造像在疏簡平淡中流露出挺拔風韻。此尊像從整體表現來看,立體的圓柱體雕刻結構,衣袖直線下垂,衣裾下襬貼近身側,身軀直挺渾圓如柱,面體量感增加,造像轉變成注重量體感的造型表現,這一轉變意義重大,彷彿為隋唐雕刻藝術開創了原型意象。

佛教藝術 -北齊時代的石造佛立像(半側圖) 北齊(550-577) 石灰岩 H196×W45.5cm 青州北齊單體佛像,亦採取了印度笈多藝術鹿野苑式表現手法,如館藏石造佛立像,袈裟服薄貼體,衣紋疏簡,淺薄流暢的陰刻衣紋,順著身軀結構起伏,整體平滑光潔,潤澤的面體,疏潔的淳潤風格,使造像在疏簡平淡中流露出挺拔風韻。此尊像從整體表現來看,立體的圓柱體雕刻結構,衣袖直線下垂,衣裾下襬貼近身側,身軀直挺渾圓如柱,面體量感增加,造像轉變成注重量體感的造型表現,這一轉變意義重大,彷彿為隋唐雕刻藝術開創了原型意象。

Tête de Vishnou. Phnom Bok (privince de Siem Reap), style du Bakheng, fin du IXe-début du Xe siècle, grès. Paris, Musée Guimet.

Tête de Vishnou. Phnom Bok (privince de Siem Reap), style du Bakheng, fin du IXe-début du Xe siècle, grès. Paris, Musée Guimet.

A Chinese Carved Rose Quartz Beauty

A Chinese Carved Rose Quartz Beauty

AN IMPORTANT LARGE WOOD FIGURE OF GUANYIN, CHINA, SONG DYNASTY, 12TH/13TH CENTURY

AN IMPORTANT LARGE WOOD FIGURE OF GUANYIN, CHINA, SONG DYNASTY, 12TH/13TH CENTURY

Brahma deuxième quart du 10e siècle style de Koh Ker (925-950) grès, sculpture Cambodge, temple Vat Baset

Brahma deuxième quart du 10e siècle style de Koh Ker (925-950) grès, sculpture Cambodge, temple Vat Baset

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