Explorez Peinture, Basquiat et plus encore !

Vidéo Basquiat

Vidéo Basquiat

Edgar Degas (French, 1834–1917). The Dance Lesson, ca. 1879. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Gift of Adaline Havemeyer Perkins, in memory of her father, Horace Havemeyer, 1971 (1971.185) #dance

Edgar Degas (French, 1834–1917). The Dance Lesson, ca. 1879. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Gift of Adaline Havemeyer Perkins, in memory of her father, Horace Havemeyer, 1971 (1971.185) #dance

Dali

Dali

Love Scene, late 16th–early 17th century. Iran. The Metropolitan Museum of Art, New York. Gift of George D. Pratt, 1925 (25.83.4)

Love Scene, late 16th–early 17th century. Iran. The Metropolitan Museum of Art, New York. Gift of George D. Pratt, 1925 (25.83.4)

Goya (Francisco de Goya y Lucientes) (Spanish, 1746–1828). Rabbit Hunter with a Retriever, from Images of Spain Album (F), 103, 1812–20. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1935 (35.103.22) #dogs

Goya (Francisco de Goya y Lucientes) (Spanish, 1746–1828). Rabbit Hunter with a Retriever, from Images of Spain Album (F), 103, 1812–20. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1935 (35.103.22) #dogs

Édouard Manet (French, 1832–1883). Fishing, ca. 1862–63. The Metropolitan Museum of Art, New York. Purchase, Mr. and Mrs. Richard J. Bernhard Gift, 1957 (57.10) | Patterned after elements in landscapes by Peter Paul Rubens, the present painting gives currency to Delacroix's recommendation to Manet: "Look at Rubens, draw inspiration from Rubens, copy Rubens. Rubens was God."

Édouard Manet (French, 1832–1883). Fishing, ca. 1862–63. The Metropolitan Museum of Art, New York. Purchase, Mr. and Mrs. Richard J. Bernhard Gift, 1957 (57.10) | Patterned after elements in landscapes by Peter Paul Rubens, the present painting gives currency to Delacroix's recommendation to Manet: "Look at Rubens, draw inspiration from Rubens, copy Rubens. Rubens was God."

Clouds by John Singer Sargent  (American, Florence 1856–1925 London) - Date: 1897 - Medium: Watercolor on white wove -  Drawings Credit Line: Gift of Mrs. Francis Ormond, 1950

Clouds by John Singer Sargent (American, Florence 1856–1925 London) - Date: 1897 - Medium: Watercolor on white wove - Drawings Credit Line: Gift of Mrs. Francis Ormond, 1950

After Henri de Toulouse-Lautrec (French, 1864–1901). Skating, from Le Rire, No. 62, 11 January 1896, 1896. The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 (62.650.233) #olympics #iceskating

After Henri de Toulouse-Lautrec (French, 1864–1901). Skating, from Le Rire, No. 62, 11 January 1896, 1896. The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 (62.650.233) #olympics #iceskating

Auguste Renoir (French, 1841–1919). Bouquet of Chrysanthemums, 1881. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Bequest of Walter H. Annenberg, 2002 (2003.20.10) | Renoir felt that he had greater freedom to experiment in still lifes than in figure paintings. "When I paint flowers, I feel free to try out tones and values and worry less about destroying the canvas". #spring

Auguste Renoir (French, 1841–1919). Bouquet of Chrysanthemums, 1881. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Bequest of Walter H. Annenberg, 2002 (2003.20.10) | Renoir felt that he had greater freedom to experiment in still lifes than in figure paintings. "When I paint flowers, I feel free to try out tones and values and worry less about destroying the canvas". #spring

Claude Monet (French, 1840–1926). La Grenouillère, 1869. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.112) | During the summer of 1869, Monet and Renoir set up their easels at La Grenouillère, a boating and bathing resort on the Seine, not far from Paris. #paris

Claude Monet (French, 1840–1926). La Grenouillère, 1869. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.112) | During the summer of 1869, Monet and Renoir set up their easels at La Grenouillère, a boating and bathing resort on the Seine, not far from Paris. #paris

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