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Girl Reclining (1751). François Boucher (French, 1703-1770). Oil on canvas. Wallraf-Richartz-Museum, Cologne, Germany. Its subject, lying naked on a daybed after putting down her open book, is Marie-Louise O’Murphy – a Parisian “child-courtesan,” age 14, soon to become the mistress of Louis XV. This piece exemplifies many ideals of Rococo including, the values of aristocracy and the Ancien Regime, objects of wealth and leisure, decorated imagery, and most overbearingly, sexual validation.

François Boucher (1703-1770), La cible d'Amour / Cupid's target © Musée du Louvre/A. Dequier - M. Bard

The Secret Message (c.1767). François Boucher (French, 1703-1770). Oil on canvas.

titam: “ Jeune femme assise, vêtue à “l’Espagnole”, par François Boucher vers Technique/Matière : papier bistre, pierre noire, rehauts de blanc, sanguine. Source ”

William Holman Hunt -- "The Hireling Shepherd" -- oil on canvas, 1851 -- Manchester Art Gallery, Manchester, United Kingdom.

tout ceci est magnifique - The Enchanted Home - Francois Boucher 1740 - 42

Irish Girl. William Dargie (Australian, 1912-2003). Oil on canvas. Art Gallery New South Wales. Archie Colquhoun was a disciple of Max Meldrum, and Dargie recalls that Colquhoun, ‘gave me a piece of board and said “all you do, in the first instance, is put that alongside your subject. Just forget what you think you know about the subject and take these patches of colour and make them the same on the canvas as you see them alongside it.”’

Gaston La Touche (1854-1913), Une jeune fille dans la contemplation

Giovanni Battista Tiepolo Apollo and the... - People of Color in European Art History

christian schloe

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