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Watch the Skies!: Sci-Fi, the 1950s and Us (3 of 6) - YouTube

Watch the Skies!: Sci-Fi, the 1950s and Us (3 of 6) - YouTube

Susan O'Connor Writing Studio

Susan O'Connor Writing Studio

The Writer Speaks: Robert Towne (55 min interview with screenwriter of Chinatown and Mission Impossible)

The Writer Speaks: Robert Towne (55 min interview with screenwriter of Chinatown and Mission Impossible)

Sixième Sens

Sixième Sens

"Seeking insight into what makes immersive theater work for an audience, Jeffrey Mosser observes three productions: PearlDamour’s How to Build a Forest, Punchdrunk’s Sleep No More, and Mikhael Tara Garver’s Fornicated From the Beatles."

"Seeking insight into what makes immersive theater work for an audience, Jeffrey Mosser observes three productions: PearlDamour’s How to Build a Forest, Punchdrunk’s Sleep No More, and Mikhael Tara Garver’s Fornicated From the Beatles."

Producer Steve Albini’s incredible four-page letter to Nirvana

Producer Steve Albini’s incredible four-page letter to Nirvana

Chuck Jones (documentary) [Full Episode] - YouTube

Chuck Jones (documentary) [Full Episode] - YouTube

The Future of the Videogames Writer: Rhianna Pratchett at TEDxTransmedia

The Future of the Videogames Writer: Rhianna Pratchett at TEDxTransmedia

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"Why is it that some projects never rise to the level of the talent of those who made it? It’s oft said regarding good work that the whole is greater than the sum of its parts. But sometimes the whole is less than the sum of its parts—a company or team comprised of good people, but yet which produces work that isn’t good.    In his session, John will explain his theory to explain how this happens—in both directions—based on the longstanding collaborative art of filmmaking."

"Why is it that some projects never rise to the level of the talent of those who made it? It’s oft said regarding good work that the whole is greater than the sum of its parts. But sometimes the whole is less than the sum of its parts—a company or team comprised of good people, but yet which produces work that isn’t good. In his session, John will explain his theory to explain how this happens—in both directions—based on the longstanding collaborative art of filmmaking."

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