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Leaves a–d painted by Chen Hongshou (Chinese, 1599–1652) and Leaves e–k painted by Chen Zi (Chinese, 1634–1711). Zahua: Figures, flowers, and landscapes, one leaf dated 1627. Late Ming dynasty (1368–1644)–early Qing (1644–1911) dynasty. China. The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Wan-go H. C. Weng, 1999 (1999.521a–k) |This work is featured in our “The Art of the Chinese Album” exhibition, on view through March 29, 2015 AsianArt100

“The Art of the Chinese Album” showcases the album, one of the most intimate of Chinese painting formats; on view through March 29, 2015. | Unidentified Artist.One hundred portraits of Peking opera characters, late 19th–early 20th century.Qing dynasty (1644–1911). China. The Metropolitan Museum of Art, New York. Rogers Fund, 1930, (30.76.299a–xx) #AsianArt100

Camille Corot---A Girl Reading. A gentle graceful painting. Orange, a difficult color, here calmed down by the olive green skirt.

Shitao (Zhu Ruoji) (Chinese, 1642–1707). Shuhua, Returning Home, ca. 1695. The Metropolitan Museum of Art, New York. From the P. Y. and Kinmay W. Tang Family, Gift of Wen and Constance Fong, in honor of Mr. and Mrs. Douglas Dillon, 1976 (1976.280a–n) |This work is featured in our “The Art of the Chinese Album” exhibition, on view through March 29, 2015. #AsianArt100

Chinese skirt, 1933 - Agnes Goodsir (1864-1939)

Livre Tableau Beaumarchais par VeronikB sur Etsy

Plaque with the Journey to Emmaus and Noli Me Tangere, ca. 1115–20. Spanish. The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.47) | With swirling drapery, elongated bodies, and powerful, dramatic gestures, the plaque, part of a larger ensemble, perhaps a reliquary, relates to works created in León, a royal city on the pilgrimage road to the shrine of Saint James.