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"Іван Богослов" 2 пол 16

"Іван Богослов" 2 пол 16

Ô très douce et très pure Vierge Marie, Notre-Dame de Compassion, Mère debout au pied de la Croix que Jésus nous a donnée pour Mère : nous vous prions pour nos frères malades…

The Hours of Jeanne dEvreux, Queen of France Jean Pucelle (French, active in Paris, 1319–1334) Date: ca. 1324–28 Geography: Made in, Paris Culture: French Medium: Grisaille, tempera, and ink on vellum Dimensions: single folio: 3 5/8 x 2 7/16 in. (9.2 x 6.2 cm) Overall (with binding): 3 7/8 x 2 13/16 x 1 1/2 in. (9.9 x 7.2 x 3.8 cm) Classification: Manuscripts & Illuminations Credit Line: The Cloisters Collection, 1954

If one does not acknowledge Mary as Theotokos, he is estranged from God. St. Gregory of Nazianzus

The Hours of Jeanne d'Evreux, ca. 1324–28 Jean Pucelle (French, active in Paris, ca. 1320–34) Made in Paris Grisaille and tempera on vellum 3 1/2 x 2 7/16 in. (8.9 x 6.2 cm) The Cloisters Collection, 1954 (54.1.2)

The Hours of Jeanne d'Evreux, ca. 1324–28 Jean Pucelle (French, active in Paris, ca. 1320–34) Made in Paris Grisaille and tempera on vellum 3 1/2 x 2 7/16 in. (8.9 x 6.2 cm) The Cloisters Collection, 1954 (54.1.2)

Plaque with the Symbol of the Evangelist Mark Date: ca. 1100 Geography: Made in, Conques, France Culture: French Medium: Copper: cut and gilt; champlevé and cloisonné enamel: black, lapis and lavender blue, turquoise, green, red, white, pinkish white. Dimensions: Overall: 4 x 2 7/16 x 1/8in. (10.1 x 6.2 x 0.3cm) Classification: Enamels Credit Line: Gift of J. Pierpont Morgan, 1917 Accession Number: 17.190.426

Cat beating cymbal. This is a finely illuminated and iconographically rich Book of Hours, made in England at the end of the thirteenth century. The manuscript is incomplete and misbound. Its main artist can also be found at work in a Bible, Oxford, Bodleian Library Ms. Auct. D.3.2, and a Psalter, Cambridge, Trinity College Cambridge Ms. O.4.16.

Maria Portinari (Maria Maddalena Baroncelli, 1456–?), probably 1470 Hans Memling (Netherlandish, active by 1465, died 1494) Oil on wood (.626, Tommaso) overall 17 3/8 x 13 1/4 in. (44.1 x 33.7 cm), painted surface 16 5/8 x 12 1/2 in. (42.2 x 31.8 cm); (.627, Maria) overall 17 3/8 x 13 3/8 in. (44.1 x 34 cm), painted surface 16 5/8 x 12 5/8 in. (42.2 x 32.1 cm) Bequest of Benjamin Altman, 1913 (14.40.626–27)