Explorez Lithographie, Sujet et plus encore !

Découvrir des thèmes similaires

MONDRIAN (Piet) et SEUPHOR (Michel).  "Textuel" (1928). Lithographie en couleurs tirée sur papier vélin, d'après le tableau-poème de 1928. Impression exécutée sous la surveillance de Michel Seuphor en 1952. Tirage limité à 120 ex. N.Y., Sarah Gentle, 1952, dim. support : 64,5 x 49,5 cm sujet : 61,5 x 43 cm

MONDRIAN (Piet) et SEUPHOR (Michel). "Textuel" (1928). Lithographie en couleurs tirée sur papier vélin, d'après le tableau-poème de 1928. Impression exécutée sous la surveillance de Michel Seuphor en 1952. Tirage limité à 120 ex. N.Y., Sarah Gentle, 1952, dim. support : 64,5 x 49,5 cm sujet : 61,5 x 43 cm

Henri de TOULOUSE-LAUTREC (1864-1901)  Au Moulin Rouge, la Goulue et sa soeur, 1892 Lithographie. Sujet: 455 x 345 mm; feuille: 520 x 405 mm

Henri de TOULOUSE-LAUTREC (1864-1901) Au Moulin Rouge, la Goulue et sa soeur, 1892 Lithographie. Sujet: 455 x 345 mm; feuille: 520 x 405 mm

POPULAR ARTS  Limited edition prints use processes like woodcuts, etchings, engravings, lithographs and collagraphs to reproduce an image. An essential factor is the degree of involvement by the artist in making plates and printing. For a print to be considered 'original' it should have been produced from a surface like a copper plate or a woodblock worked on by the artist.

POPULAR ARTS Limited edition prints use processes like woodcuts, etchings, engravings, lithographs and collagraphs to reproduce an image. An essential factor is the degree of involvement by the artist in making plates and printing. For a print to be considered 'original' it should have been produced from a surface like a copper plate or a woodblock worked on by the artist.

Thomas Theodor Heine  Leipzig 1867 – 1948 Stockholm  „Die Muse der Malerei küßt den Berliner Bären“. 1901 Colour lithograph on paper. 69,1 × 91,2 cm (27 ¼ × 35 ⅞ in.) Signed. Raff 62. Early print before text added. Poster for the Berliner Secession, 1901. Berlin, Bruno und Paul Cassirer.

Thomas Theodor Heine Leipzig 1867 – 1948 Stockholm „Die Muse der Malerei küßt den Berliner Bären“. 1901 Colour lithograph on paper. 69,1 × 91,2 cm (27 ¼ × 35 ⅞ in.) Signed. Raff 62. Early print before text added. Poster for the Berliner Secession, 1901. Berlin, Bruno und Paul Cassirer.

POPULAR ARTS  Limited edition prints use processes like woodcuts, etchings, engravings, lithographs and collagraphs to reproduce an image. An essential factor is the degree of involvement by the artist in making plates and printing. For a print to be considered 'original' it should have been produced from a surface like a copper plate or a woodblock worked on by the artist.

POPULAR ARTS Limited edition prints use processes like woodcuts, etchings, engravings, lithographs and collagraphs to reproduce an image. An essential factor is the degree of involvement by the artist in making plates and printing. For a print to be considered 'original' it should have been produced from a surface like a copper plate or a woodblock worked on by the artist.

Montelbaans Tower - PIETER DUPONT -PIETER DUPONT Dutch, (1870-1911)Etching and engraving, circa 1910, edition 100. Published by van Wisselingh, Amsterdam. 18 1/2 x 8 1/2 in. Signed in pencil. A superb impression of this important work.

Montelbaans Tower - PIETER DUPONT -PIETER DUPONT Dutch, (1870-1911)Etching and engraving, circa 1910, edition 100. Published by van Wisselingh, Amsterdam. 18 1/2 x 8 1/2 in. Signed in pencil. A superb impression of this important work.

Cottage and Harvesters by Frank Short  Mezzotint, 1907, 169 x 276 mm., Hardie 88. Fine impression on chine-appliqué with large margins, signed in pencil and from an edition of 100 impressions. The work is after a watercolor by De Wint in the Tate Gallery.

Cottage and Harvesters by Frank Short Mezzotint, 1907, 169 x 276 mm., Hardie 88. Fine impression on chine-appliqué with large margins, signed in pencil and from an edition of 100 impressions. The work is after a watercolor by De Wint in the Tate Gallery.

Fritz Kahn Halle (Saale) 1888 - 1968 Locarno  Der Mensch als Industriepalast  Farb. Lithographie. 1926. 93,5 : 46,3 cm (95,0 : 47,5 cm).

Fritz Kahn Halle (Saale) 1888 - 1968 Locarno Der Mensch als Industriepalast Farb. Lithographie. 1926. 93,5 : 46,3 cm (95,0 : 47,5 cm).

Based in the heart of Napier, Paper-Works Gallery brings together works on paper from both established New Zealand artists and those who are on their way. The works range from pencil drawings, watercolours, oil pastels and acrylic on paper to limited edition prints including engravings, etchings, mezzotints and lithographs and photographs  www.paper-works.co.nz

Based in the heart of Napier, Paper-Works Gallery brings together works on paper from both established New Zealand artists and those who are on their way. The works range from pencil drawings, watercolours, oil pastels and acrylic on paper to limited edition prints including engravings, etchings, mezzotints and lithographs and photographs www.paper-works.co.nz

POPULAR ARTS  Limited edition prints use processes like woodcuts, etchings, engravings, lithographs and collagraphs to reproduce an image. An essential factor is the degree of involvement by the artist in making plates and printing. For a print to be considered 'original' it should have been produced from a surface like a copper plate or a woodblock worked on by the artist.

POPULAR ARTS Limited edition prints use processes like woodcuts, etchings, engravings, lithographs and collagraphs to reproduce an image. An essential factor is the degree of involvement by the artist in making plates and printing. For a print to be considered 'original' it should have been produced from a surface like a copper plate or a woodblock worked on by the artist.

Pinterest
Rechercher