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In his first comprehensive solo exhibition since 1988 paintings, drawings and prints from the late Josef Albers will be presented at Galerie Berinson in Berlin. Among the exhibit will be works from his graphic series Structural Constellations and Homage to the Square, and exploration of the effects of color. Josef Albers: Paintings, Drawings, Prints will be on view through May 19th.

In his first comprehensive solo exhibition since 1988 paintings, drawings and prints from the late Josef Albers will be presented at Galerie Berinson in Berlin. Among the exhibit will be works from his graphic series Structural Constellations and Homage to the Square, and exploration of the effects of color. Josef Albers: Paintings, Drawings, Prints will be on view through May 19th.

josef albers - homage to the square *done*

josef albers - homage to the square *done*

Toulouse Lautrec

Toulouse Lautrec

Title: Homage to the Square
Artist: Josef Albers (1888-1976, American/German)
Year: 1963

Title: Homage to the Square Artist: Josef Albers (1888-1976, American/German) Year: 1963

yves klein #klein #blue

yves klein #klein #blue

Interaction of Color

Interaction of Color

Peinture,Josef Albers,Art Textile,Joseph,Couleurs,Painting

Anish Kapoor

Anish Kapoor

Albers constructed his Homages by laying in paint as thinly as possible with a palette knife directly on a white ground. He likened his technique to intarsia and mosaic. Paint generally came straight from the tube, and edges of the squares were painted without masking tape. Reproductions of the paintings make them appear harder-edged than they actually are. Albers would begin a composition with the center square and work his way out, never painting one square on top of another.

Albers constructed his Homages by laying in paint as thinly as possible with a palette knife directly on a white ground. He likened his technique to intarsia and mosaic. Paint generally came straight from the tube, and edges of the squares were painted without masking tape. Reproductions of the paintings make them appear harder-edged than they actually are. Albers would begin a composition with the center square and work his way out, never painting one square on top of another.

Symmetry Pattern & Color 2012: Josef Albers- Interaction of Color

Symmetry Pattern & Color 2012: Josef Albers- Interaction of Color

THOMAS HAULOTTE _REFERENT 1_COURS 1_ORDRE

THOMAS HAULOTTE _REFERENT 1_COURS 1_ORDRE

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