Arletty & Jean-Louis Barrault / Les enfants du Paradis / Marcel Carné
Mathieu Kassovitz' La Haine. "Although drug dealing, urban decay, and police brutality have been shown in films before, rarely have they had the sense of vitality and urgency shown in La Haine. The film makes a powerful statement that violence does not solve anything and that hate begets hate."
Jean-Paul Belmondo and Anna Karina on the set of Pierrot le fou (Jean-Luc Godard), 1965.