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Leonardo Ulian. Technological Mandala 02 (2012), electronic components on paper, 120x120cm.The ideas and concepts behind Leonardo Ulian’s work stems from a profound interest in how systems can be applied in the process of making art, how something can survive within a scheme of convention, exploring the system itself in order to understand it, and perhaps, trying to find a condition of artistic autonomy within the framework created.

Leonardo Ulian. Technological Mandala 02 (2012), electronic components on paper, 120x120cm.The ideas and concepts behind Leonardo Ulian’s work stems from a profound interest in how systems can be applied in the process of making art, how something can survive within a scheme of convention, exploring the system itself in order to understand it, and perhaps, trying to find a condition of artistic autonomy within the framework created.

Sem título     2013  reflexive pigment on polyester and fire-proof paper print  63 x 88,5 cm

Sem título 2013 reflexive pigment on polyester and fire-proof paper print 63 x 88,5 cm

Mona Hatoum  Projection (velvet)  2013  Silk velvet and mild steel 97 x 162 cm / 38 2/8 x 63 6/8 inches  Edition of 15

Mona Hatoum Projection (velvet) 2013 Silk velvet and mild steel 97 x 162 cm / 38 2/8 x 63 6/8 inches Edition of 15

Olivia Jeffries

Olivia Jeffries

shadow art

21 Amazing Examples Of Shadow Art

shadow art

paper butterfly installation by Will & Caro

Perfectly Symmetrical Paper Butterfly Installations

paper butterfly installation by Will & Caro

Sol Lewitt  Untitled (Paper Fold) Oct. 20, 1973 Paper, 53.3 x 53.3 cm (21 x 21 in.)

Sol Lewitt Untitled (Paper Fold) Oct. 20, 1973 Paper, 53.3 x 53.3 cm (21 x 21 in.)

il lee // ball point pen on paper. Its the subject that becomes the variable...

il lee // ball point pen on paper. Its the subject that becomes the variable...

Pull by Kate Callan. Paper, string. 4″ x 4″ Pull contains eight explorations of string formations when fully open. Some strings continue through the pages making it impossible to view more than one page at a time.

Pull by Kate Callan. Paper, string. 4″ x 4″ Pull contains eight explorations of string formations when fully open. Some strings continue through the pages making it impossible to view more than one page at a time.

Gerhard Richter Elbe 24 Ink on paper 1996

Gerhard Richter Elbe 24 Ink on paper 1996

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