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19TH CENTURY ANTIQUE VELVET AND  CUT STEEL BEAD DRAWSTRING  PURSE / BAG

19TH CENTURY ANTIQUE VELVET AND CUT STEEL BEAD DRAWSTRING PURSE / BAG

Robe de soirée - 1818

Robe de soirée - 1818

Après-midi Robe, Charles Frederick Worth (français (né en Angleterre), Bourne 1825 au 1895 de Paris) pour la Chambre des Worth (français, 1858 au 1956):

Après-midi Robe, Charles Frederick Worth (français (né en Angleterre), Bourne 1825 au 1895 de Paris) pour la Chambre des Worth (français, 1858 au 1956):

Girdle with pocket, from Godey’s Magazine, April 1864.

Girdle with pocket, from Godey’s Magazine, April 1864.

2 piece silk 1857 http://www.abitiantichi.it/collezione/abiti/abito52.html

2 piece silk 1857 http://www.abitiantichi.it/collezione/abiti/abito52.html

1780's robe l'anglaise

1780's robe l'anglaise

Robe de mariée ca. début des années 1900. Soie ivoire avec des plis Pintucked aux épaules, brodé bas avant et à col montant; poignets pointus. Pouter corsage pigeon blouson style légèrement en mousseline de soie. Cummerbund parsemée avec des arcs sur le devant et le dos. Corsage crochets dans le dos. Surjupe brodées sur la hanche gauche ouverture en longs plis. Jupon de coton à volants.

Robe de mariée ca. début des années 1900. Soie ivoire avec des plis Pintucked aux épaules, brodé bas avant et à col montant; poignets pointus. Pouter corsage pigeon blouson style légèrement en mousseline de soie. Cummerbund parsemée avec des arcs sur le devant et le dos. Corsage crochets dans le dos. Surjupe brodées sur la hanche gauche ouverture en longs plis. Jupon de coton à volants.

This puts the icing on the cake as far as fabric embellishments.

This puts the icing on the cake as far as fabric embellishments.

Dress, 1805-1810, At the beginning of the nineteenth century, whitework became the favored embellishment for fashionable Grecian-style gowns, the latest fashion, with low necks and high waists. The neo-classical design at the skirt's center front echoes the delicate swags on embroidered pictures, while the sheer gauze fabric (which required a solid color underdress to avoid indecent exposure) recalls the floating train on the Egyptian princess's dress in Ruth Green Barber's Moses picture.

Dress, 1805-1810, At the beginning of the nineteenth century, whitework became the favored embellishment for fashionable Grecian-style gowns, the latest fashion, with low necks and high waists. The neo-classical design at the skirt's center front echoes the delicate swags on embroidered pictures, while the sheer gauze fabric (which required a solid color underdress to avoid indecent exposure) recalls the floating train on the Egyptian princess's dress in Ruth Green Barber's Moses picture.

Trousseau dress, 1869. Dark brown silk poplin trimmed with light brown-yellow silk satin. Bodice has crew neckline with long sleeves & center front button closure. Skirt is full with cartridge pleats into waistband & small train. Belt has fishtail design at center back and closes with hook & eyes. Chicago History Museum

Trousseau dress, 1869. Dark brown silk poplin trimmed with light brown-yellow silk satin. Bodice has crew neckline with long sleeves & center front button closure. Skirt is full with cartridge pleats into waistband & small train. Belt has fishtail design at center back and closes with hook & eyes. Chicago History Museum

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