Le Bal Musette, La Boule Rouge, c. 1935-36. Unlike many of his contemporaries who were portraying the fashionable and romantic sides of Paris, Brassaï was enraptured by the seedy underworld that could only be seen after hours. It was in the bistros, cafes and bars that Brassaï discovered his most fascinating subjects. And it was in their backrooms and back alleys where Brassaï captures prostitutes, nightclub entertainers, transvestites and their patrons in all stages of revelry.

Le Bal Musette, La Boule Rouge, c. 1935-36. Unlike many of his contemporaries who were portraying the fashionable and romantic sides of Paris, Brassaï was enraptured by the seedy underworld that could only be seen after hours. It was in the bistros, cafes and bars that Brassaï discovered his most fascinating subjects. And it was in their backrooms and back alleys where Brassaï captures prostitutes, nightclub entertainers, transvestites and their patrons in all stages of revelry.

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