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L'arbre du pardon
Burne-Jones associated this painting with a refrain from a Breton folk ballad: "Alas, I know a love song, / Sad or happy, each in turn." Drawing inspiration from the gothicizing Pre-Raphaelite movement, the artist conjured a twilight scene with a richly romantic, medieval air, enhanced by allusions to Italian Renaissance art, from the warm, dewy colors to the gracious figures and original frame, which recalls sixteenth-and-seventeenth-century Venetian designs
Adoration of the Magi, second half 15th century, British. The Metropolitan Museum NY
Burne-Jones: Portrait of his daughter Margaret, Ashmolean Oxford