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L'arbre du pardon

L'arbre du pardon

Burne-Jones associated this painting with a refrain from a Breton folk ballad: "Alas, I know a love song, / Sad or happy, each in turn." Drawing inspiration from the gothicizing Pre-Raphaelite movement, the artist conjured a twilight scene with a richly romantic, medieval air, enhanced by allusions to Italian Renaissance art, from the warm, dewy colors to the gracious figures and original frame, which recalls sixteenth-and-seventeenth-century Venetian designs

Burne-Jones associated this painting with a refrain from a Breton folk ballad: "Alas, I know a love song, / Sad or happy, each in turn." Drawing inspiration from the gothicizing Pre-Raphaelite movement, the artist conjured a twilight scene with a richly romantic, medieval air, enhanced by allusions to Italian Renaissance art, from the warm, dewy colors to the gracious figures and original frame, which recalls sixteenth-and-seventeenth-century Venetian designs

Adoration of the Magi, second half 15th century, British. The Metropolitan Museum NY

Adoration of the Magi, second half 15th century, British. The Metropolitan Museum NY

Burne-Jones: Portrait of his daughter Margaret, Ashmolean Oxford

Burne-Jones: Portrait of his daughter Margaret, Ashmolean Oxford

Edward Burne-Jones - PreRaphaelite Artist

Edward Burne-Jones - PreRaphaelite Artist

Detail, 'Apollo and Daphne' (1622-24) by Italian sculptor & architect Gian Lorenzo Bernini (1598-1680). collection: Galleria Borghese, Rome. Beautifully photographed (2009) by kgphoto47. via flickr

Detail, 'Apollo and Daphne' (1622-24) by Italian sculptor & architect Gian Lorenzo Bernini (1598-1680). collection: Galleria Borghese, Rome. Beautifully photographed (2009) by kgphoto47. via flickr

cemetery angel

cemetery angel

Colour

Colour

colorful

colorful

Study for the Briar Rose series

Study for the Briar Rose series

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