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Luiz Sacilotto, Gouache No. 272

Luiz Sacilotto, Gouache No. 272

#DADABOX #milkmagazine  ETRE A L'HEURE AVOIR A L'OEIL source : http://crayonfawn.tumblr.com/

Box septembre 2014

#DADABOX #milkmagazine ETRE A L'HEURE AVOIR A L'OEIL source : http://crayonfawn.tumblr.com/

The Screen Family (Linus, Dot, Pixie & Random Screen) by Helmo

The Screen Family (Linus, Dot, Pixie & Random Screen) by Helmo

TRIO BY KAREL MARTENS  Maharam      Trio reflects the Dutch graphic designer Karel Martens’s interest in simple geometric forms and overlapping colors; in this finely detailed construction, intersecting ribbons of color create diamonds, enhancing the illusion of transparency, while also demarcating the three points of an equilateral triangle.

TRIO BY KAREL MARTENS Maharam Trio reflects the Dutch graphic designer Karel Martens’s interest in simple geometric forms and overlapping colors; in this finely detailed construction, intersecting ribbons of color create diamonds, enhancing the illusion of transparency, while also demarcating the three points of an equilateral triangle.

Poble Espanyol / Atipus

~ alignement en grille et mixité des motifs, un assemblage graphique et moderne ~ via

manystuff.org – Graphic Design, Art, Publishing, Curating…

manystuff.org – Graphic Design, Art, Publishing, Curating…

ASOS Prints - felicitymarshall

ASOS Prints - felicitymarshall

Fable muette par Henryk Tomaszewski

Fable muette par Henryk Tomaszewski

Memphis Patterns. Above, left to right, top to bottom: Michele De Lucchi, “Fantastic,” 1981; Ettore Sottsass, “Rete 2,” 1983; Michele De Lucchi, “Traumatic,” 1983; Michele De Lucchi, “Micidial,” 1981; Ettore Sottsass, “Serpente,” 1979; Ettore Sottsass, “Lamiera,” 1983; Christoph Radl, “Isole,” 1982; Michael Podgorschek, “Argilla,” 1982.

Memphis Patterns. Above, left to right, top to bottom: Michele De Lucchi, “Fantastic,” 1981; Ettore Sottsass, “Rete 2,” 1983; Michele De Lucchi, “Traumatic,” 1983; Michele De Lucchi, “Micidial,” 1981; Ettore Sottsass, “Serpente,” 1979; Ettore Sottsass, “Lamiera,” 1983; Christoph Radl, “Isole,” 1982; Michael Podgorschek, “Argilla,” 1982.

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