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The Seared Conscience by Wilfred Owen by Paul C Delrue

The Flute of Sardonyx by Edmund John (C) Paul C Delrue

In his Craftsman's Handbook (about 1390), the Florentine artist Cennino Cennini outlines the "individual attractive, fine and unusual" process of gilding glass "for the embellishment of holy reliquaries. Reliquary Diptych. Late 14th century, Verre, églomisé, polychromy, wood and metal.

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Callum James on

18th century Dutch gilt paper

Book Cover with Byzantine Icon of the Crucifixion, Icon carved about 1000, in Constantinople; setting made before 1085. Spanish; From the Convent of Santa Cruz de la Serós, Jaca

Khamsa (Quintet) of Nizami, Safavid period (1501–1722), 1509–1510 Iran, Shiraz Leather; tooled and gilded; ink on paper

Snuffbox with Sunburst and Scrolls - V, 1753-4. The figure is Apollo, the Greek sun god associated with wisdom, prophecy, medicine and the arts. It is based on a frontispiece designed by Francois Boucher for the Tombeau of Charles Sackville, comte de Dorset (1741). Paris, France; mark of Jean-Francois Breton (active 1737-91) Enamelled gold and diamonds. Formerly in the collection of Baron Carl Von Rothschild, Frankfurt, and Lord Rothschild.

Vintage 19th c. marbled paper, Spanish moiré on Serpentine with gold vein pattern.