Explorez L'amour Pour Elle, Amour Éternel et plus encore !

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

Portraits of men (from 1546) by TIZIANO Vecellio Portrait of Pope Julius II 1545-46 Oil on wood, 99 x 82 cm Galleria Palatina (Palaz

Portraits of men (from 1546) by TIZIANO Vecellio Portrait of Pope Julius II 1545-46 Oil on wood, 99 x 82 cm Galleria Palatina (Palaz

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

Marvels at the wonderful history of the royal monastery at Brou, a token of eternal love built in stone and marble in the early 16th century by Margaret of Austria to commemorate her love for her late husband Philibert the Fair, Duke of Savoy. Picture taken by Jennifer Pône

The Medici-Tornabuoni Birth Tray Giovanni di Ser Giovanni, called Lo Scheggia (1406-86) 1449, Florence Wood with gold, silver and tempera paint V - At Home in Renaissance Italy

The Medici-Tornabuoni Birth Tray Giovanni di Ser Giovanni, called Lo Scheggia (1406-86) 1449, Florence Wood with gold, silver and tempera paint V - At Home in Renaissance Italy

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