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Charles­ Marie­ Jean-­Baptiste Marcotte (Marcotte d'Argenteuil) by Ingres. The painting is now in the collections of the National Gallery of Art in Washington D.C.

Charles­ Marie­ Jean-­Baptiste Marcotte (Marcotte d'Argenteuil) by Ingres. The painting is now in the collections of the National Gallery of Art in Washington D.C.

Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carreaux de Rosemond (died 1788)  Adélaïde Labille-Guiard  (French, Paris 1749–1803 Paris)  Date: 1785

Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carreaux de Rosemond (died 1788) Adélaïde Labille-Guiard (French, Paris 1749–1803 Paris) Date: 1785

Marie Francoise de la Cropte X Jean Marc Nattier,

Marie Francoise de la Cropte X Jean Marc Nattier,

Odilon Redon (French, 1840–1916). Madame Arthur Fontaine (Marie Escudier, born 1865), 1901. The Metropolitan Museum of Art, New York. The Mr. and Mrs. Henry Ittleson Jr. Purchase Fund, 1960 (60.54) | Marie Escudier Fontaine was the wife of a wealthy Parisian industrialist and art patron whose circle of friends included a number of writers, musicians, and artists, among them André Gide, Claude Debussy, and Vuillard, who twice painted her portrait. #paris

Odilon Redon (French, 1840–1916). Madame Arthur Fontaine (Marie Escudier, born 1865), 1901. The Metropolitan Museum of Art, New York. The Mr. and Mrs. Henry Ittleson Jr. Purchase Fund, 1960 (60.54) | Marie Escudier Fontaine was the wife of a wealthy Parisian industrialist and art patron whose circle of friends included a number of writers, musicians, and artists, among them André Gide, Claude Debussy, and Vuillard, who twice painted her portrait. #paris

Salvator Rosa (Italian, 1615–1673). Self-Portrait, ca. 1647. The Metropolitan Museum of Art, New York. Bequest of Mary L. Harrison, 1921 (21.105) #mustache #movember

Salvator Rosa (Italian, 1615–1673). Self-Portrait, ca. 1647. The Metropolitan Museum of Art, New York. Bequest of Mary L. Harrison, 1921 (21.105) #mustache #movember

Jacques Louis David (French, 1748–1825). Antoine-Laurent Lavoisier (1743–1794) and His Wife (Marie-Anne-Pierrette Paulze, 1758–1836), 1788. The Metropolitan Museum of Art, New York. Purchase, Mr. and Mrs. Charles Wrightsman Gift, in honor of Everett Fahy, 1977 (1977.10).

Jacques Louis David (French, 1748–1825). Antoine-Laurent Lavoisier (1743–1794) and His Wife (Marie-Anne-Pierrette Paulze, 1758–1836), 1788. The Metropolitan Museum of Art, New York. Purchase, Mr. and Mrs. Charles Wrightsman Gift, in honor of Everett Fahy, 1977 (1977.10).

Marie de Rabutin-Chantal, g. de Sévigné, Mme de Sévigné, 1626-1696

Marie de Rabutin-Chantal, g. de Sévigné, Mme de Sévigné, 1626-1696

Édouard Manet (French, 1832–1883). Mademoiselle V. . . in the Costume of an Espada,1862. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.53) #halloween #costume

Édouard Manet (French, 1832–1883). Mademoiselle V. . . in the Costume of an Espada,1862. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.53) #halloween #costume

Follower of Rembrandt (Dutch, third quarter 17th century). Portrait of a Man ("The Auctioneer"), probably ca. 1658–62. The Metropolitan Museum of Art, New York. Bequest of Benjamin Altman, 1913 (14.40.624) #mustache #movember

Follower of Rembrandt (Dutch, third quarter 17th century). Portrait of a Man ("The Auctioneer"), probably ca. 1658–62. The Metropolitan Museum of Art, New York. Bequest of Benjamin Altman, 1913 (14.40.624) #mustache #movember

Point of View in Print and Paint: Lesson Plan | Students will be able to identify ways the artist uses color, composition, and the subjects' poses to convey viewpoint; cite evidence from texts that support interpretations of each document; and integrate content presented in diverse media and formats. #Teachers #Education #K12

Point of View in Print and Paint: Lesson Plan | Students will be able to identify ways the artist uses color, composition, and the subjects' poses to convey viewpoint; cite evidence from texts that support interpretations of each document; and integrate content presented in diverse media and formats. #Teachers #Education #K12

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