Explorer ces idées et plus encore !

Découvrir des thèmes similaires

Listen to Me Marlon

Listen to Me Marlon

Come with me....

Come with me....

Autumn, 18th century (?), German. The Metropolitan Museum of Art, New York. Rogers Fund, 1944 (44.108.4)

Autumn, 18th century (?), German. The Metropolitan Museum of Art, New York. Rogers Fund, 1944 (44.108.4)

Designed and etched by Joseph Mallord William Turner (British, 1775–1851). The Leader Sea Piece (Liber Studiorum, part IV, plate 20), March 29, 1809. The Metropolitan Museum of Art, New York.Harris Brisbane Dick Fund, 1928 (28.97.20)

Designed and etched by Joseph Mallord William Turner (British, 1775–1851). The Leader Sea Piece (Liber Studiorum, part IV, plate 20), March 29, 1809. The Metropolitan Museum of Art, New York.Harris Brisbane Dick Fund, 1928 (28.97.20)

Goya (Francisco de Goya y Lucientes) (Spanish, 1746–1828). Lovers Sitting on a Rock, 1796–97. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1935 (35.103.6)

Goya (Francisco de Goya y Lucientes) (Spanish, 1746–1828). Lovers Sitting on a Rock, 1796–97. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1935 (35.103.6)

George Inness (American, 1825–1894). Autumn Oaks, ca. 1878. The Metropolitan Museum of Art, New York. Gift of George I. Seney, 1887 (87.8.8) | Here the sunlit trees dominate the entire landscape, their richness intensified by the deep foreground of shadow and blue violet tones of the lowering sky.

George Inness (American, 1825–1894). Autumn Oaks, ca. 1878. The Metropolitan Museum of Art, New York. Gift of George I. Seney, 1887 (87.8.8) | Here the sunlit trees dominate the entire landscape, their richness intensified by the deep foreground of shadow and blue violet tones of the lowering sky.

Henri Fantin-Latour (French,1836–1904). Roses in a Bowl, 1883. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Bequest of Walter H. Annenberg, 2002 (2003.20.6) | Small, exquisite flower paintings such as this were destined for England, where this genre had many admirers.

Henri Fantin-Latour (French,1836–1904). Roses in a Bowl, 1883. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Bequest of Walter H. Annenberg, 2002 (2003.20.6) | Small, exquisite flower paintings such as this were destined for England, where this genre had many admirers.

Umberto Boccioni (Italian, 1882–1916). Self-Portrait, 1910. The Metropolitan Museum of Art, New York. Bequest of Lydia Winston Malbin, 1989 (1990.38.12)

Umberto Boccioni (Italian, 1882–1916). Self-Portrait, 1910. The Metropolitan Museum of Art, New York. Bequest of Lydia Winston Malbin, 1989 (1990.38.12)

Pinterest
Rechercher