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"Emily Wardill uses the figure of fire itself as a way to explore the physical, psychological and narrative implications of trying to "model" entities, energies or objects that are in constant flux. Filmed on a series of constructed, stylised sets with a cast of archetypal characters loosely based on the real protagonists, Wardill introduces the idea of fire as a chaotic and unpredictable object—a metaphor for various conditions of fear, instability, uncertainty, and horror."

Rosa Barba, From Source to Poem (still).

Doris Salcedo: The Materiality of Mourning

Institute for Curatorial Practice in Performance - Wesleyan University

Exhibitors | Friends With Books

Jean Tinguely, Gismo, 1960, coll. Stedelijk Museum Amsterdam. Foto Gert Jan van Rooij

Istanbul’s third Design Biennial explores the human imprint

The 3rd Istanbul Design Biennial: in pictures | Wallpaper*

Art changes, so do we. The Tate website is now easier to use on smartphone, tablet as well as your desktop - and there are further improvements on the way to help you learn more about art and artists.

#bizinsanmıyız #istanbultasarımbienali ‘nin altıncı önermesi GÖRMEZDEN GELMENİN TASARIMI BİLE TASARIMDIR DESIGN IS EVEN THE DESIGN OF NEGLECT is the 6th concept for #arewehuman #istanbuldesignbiennial