Explorez Rembrandt Autoportrait et plus encore !

Découvrir des thèmes similaires

Rembrandt and Saskia in the Scene of the Prodigal Son in the Tavern by Rembrandt van Rijn

Rembrandt and Saskia in the Scene of the Prodigal Son in the Tavern by Rembrandt van Rijn

Le festin d'Esther et de Balthasar

Le festin d'Esther et de Balthasar

Rembrandt van Rijn, Portrait de famille, vers 1667, Braunschweig, Herzog Anton Ulrich Museum.

Rembrandt van Rijn, Portrait de famille, vers 1667, Braunschweig, Herzog Anton Ulrich Museum.

Rembrandt van Rijn, Harmenszoon (1606 - 1669) - The  Music Party (1626)

Rembrandt van Rijn, Harmenszoon (1606 - 1669) - The Music Party (1626)

Tête du Christ, par Rembrandt van Rijn

Tête du Christ, par Rembrandt van Rijn

Rembrandt, Le Festin de Balthazaar 1635  Histoire de l'art - Les mouvements dans la peinture - L'art baroque

Rembrandt, Le Festin de Balthazaar 1635 Histoire de l'art - Les mouvements dans la peinture - L'art baroque

Rembrandt (~1655)

Rembrandt (~1655)

Rembrandt - Minerva. Tags: minerva, pallas athena, pallas athene,

Rembrandt - Minerva. Tags: minerva, pallas athena, pallas athene,

das-grablied: ”Pallas Athena”, Rembrandt, c. 1655

das-grablied: ”Pallas Athena”, Rembrandt, c. 1655

Rembrandt’s Mother Reading (c. 1629). Rembrandt Harmenszoon van Rijn (Dutch painter and engraver, 1606-1669). Wilton House, Wiltshire, England.    “Of all the Baroque masters, it was Rembrandt who evolved the most revolutionary technique and who seemed to grow into the Italians’ spiritual heir. By the middle of the 1630s he had long since abandoned conventional Dutch smoothness and his surfaces were already caked with more paint than was strictly necessary to present an illusion.”

Rembrandt’s Mother Reading (c. 1629). Rembrandt Harmenszoon van Rijn (Dutch painter and engraver, 1606-1669). Wilton House, Wiltshire, England. “Of all the Baroque masters, it was Rembrandt who evolved the most revolutionary technique and who seemed to grow into the Italians’ spiritual heir. By the middle of the 1630s he had long since abandoned conventional Dutch smoothness and his surfaces were already caked with more paint than was strictly necessary to present an illusion.”

Pinterest
Rechercher