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Portrait de Joan Tuckfield, 1560 école britannique

Portrait de Joan Tuckfield, 1560 école britannique

ab. 1515 Master of the Legend of the Magdalen - Portrait of Isabella of Austria, Queen of Denmark

ab. 1515 Master of the Legend of the Magdalen - Portrait of Isabella of Austria, Queen of Denmark

Miss Vernon, 1760 William Hoare

Miss Vernon, 1760 William Hoare

Jeanne Seymour fut la troisième épouse d'Henri VIII ; portrait réalisé par Hans Holbein le Jeune en 1536. Portrait d'une femme portant une coiffe, une robe rouge et de nombreux bijoux

Jeanne Seymour fut la troisième épouse d'Henri VIII ; portrait réalisé par Hans Holbein le Jeune en 1536. Portrait d'une femme portant une coiffe, une robe rouge et de nombreux bijoux

Mode années 1550

Mode années 1550

Detail Thomas More and his family 1592

Detail Thomas More and his family 1592

ca. 1558   POURBUS_Portrait_femme_WG.jpg (1719×2303) Technically, it isn't English but Flemish. However, stylistically it is very close to the English fashion at this time.

ca. 1558 POURBUS_Portrait_femme_WG.jpg (1719×2303) Technically, it isn't English but Flemish. However, stylistically it is very close to the English fashion at this time.

Portrait de l'épouse de Nicolas de Hillincx, vers 1592 Frans Pourbus le jeune

Portrait de l'épouse de Nicolas de Hillincx, vers 1592 Frans Pourbus le jeune

A Young Lady Aged 21, Possibly Helena Snakenborg, Later Marchioness of Northampton, British School 16th century

A Young Lady Aged 21, Possibly Helena Snakenborg, Later Marchioness of Northampton, British School 16th century

Edward VI. by William Scrots-EXCERPT:  'We see in the painting both a red and white rose which symbolised the Houses of Lancaster and York respectively, the two great English dynasties, which were united by Edward’s grandfather, Henry VII.   The Latin inscription below the portrait speaks of Phoebus, the sun, and Clytia, the sunflower, both of whom feature in Ovid’s Metamorphoses.' This is my personal favorite of the depictions of Edward.

Edward VI. by William Scrots-EXCERPT: 'We see in the painting both a red and white rose which symbolised the Houses of Lancaster and York respectively, the two great English dynasties, which were united by Edward’s grandfather, Henry VII. The Latin inscription below the portrait speaks of Phoebus, the sun, and Clytia, the sunflower, both of whom feature in Ovid’s Metamorphoses.' This is my personal favorite of the depictions of Edward.

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