Maxime BLOTIN
Maxime BLOTIN
Maxime BLOTIN

Maxime BLOTIN

  • Paris

Couturier - corsetier Haute couture

D'autres idées de Maxime

Evening coat. France, c.1913, from the collection of the Metropolitan Museum (New York).

Opera coat, c.1922 "The coat is fashioned from cobalt blue devoré velvet, cut to a ground of bronzed gold metallic lamé. The upper back and sleeve borders are of solid silk velvet elaborately embroidered with a Persian pattern of bronze metallic cord and small, coral colored beads. The bodice front sections of the coat are self lined with devoré velvet; the rest of the coat is lined with rose colored silk velvet."

Coat | Romeo Gigli | Italy, circa 1989 | Materials: wool, cashmere, synthetics | The Metropolitan Museum of Art, New York

pourpoint espagnol | Les Arts décoratifs Plus

Haute Couture: Lucien Lelong, circa 1920-1925

What ever happened to Smoke Jackets ? Nobody can quite figure out where the smoking jacket came from - the silk jackets worn in Chinese opium dens? Originally developed for men to wear during times of smoking pipes and cigars, smoking jackets were waist length and typically made of expensive material, namely velvet and silk, in dark colors like burgundy and forest green. The jackets had turned-up cuffs, button fastenings, and a high, shawl collar.

Everyday Steampunk

Paul Poiret - Couture - Manteau du Soir - Années 20

LAME & FRUIT EVENING COAT, 1920s. Black silk ground printed in multi colored fruit brocaded over in gold lame, kimono sleeves, F may be worn open or fastened at 1 shoulder.

1920s brocade coat: swans down collar and cuffs