David Leleu, In living memory, photo journal et pastel, 11x7CM, 2012.

David Leleu, In living memory, photo journal et pastel, 11x7CM, 2012.

David Leleu,  In living memory, detail.

David Leleu, In living memory, detail.

David Leleu, Study, 2010, ink on paper, 10x16cm

David Leleu, Study, 2010, ink on paper, 10x16cm

David Leleu,  In living memory, photo journal et pastel, 14x9CM, 2012.

David Leleu, In living memory, photo journal et pastel, 14x9CM, 2012.

David Leleu, Vue d'exposition, l'équilibre des forces, Centre d'arts plastiques et visuels, Lille, 2012.

David Leleu, Vue d'exposition, l'équilibre des forces, Centre d'arts plastiques et visuels, Lille, 2012.

David Leleu, Exhibition view, 3 drawings installation, 2011. Bureau d'art et de recherche, Roubaix.

David Leleu, Exhibition view, 3 drawings installation, 2011. Bureau d'art et de recherche, Roubaix.

David Leleu, Exhibition view, 3 drawings on frames, 2011. Jozsa Gallery, Brussels.

David Leleu, Exhibition view, 3 drawings on frames, 2011. Jozsa Gallery, Brussels.


Encore plus d'idées
David Leleu, The Set, frame 661, 2011. Charcoal and pastel on paper, 40x53cm.

David Leleu, The Set, frame 661, 2011. Charcoal and pastel on paper, 40x53cm.

David Leleu, The Set, frame 353, 2011. Charcoal and pastel on paper, 40x53cm.

David Leleu, The Set, frame 353, 2011. Charcoal and pastel on paper, 40x53cm.

David Leleu, engine, light, Photography and Video projection, 2012, Lille, FR

David Leleu, engine, light, Photography and Video projection, 2012, Lille, FR

Starting as an empty white room, Roman Ondak’s Measuring the Universe at Tate St Ives has grown through the contribution of around 90’000 participants to a constellation of black marks. Through the simple action of measuring oneself, Ondak’s work doesn’t just expand on ideas of space and the universal but also the personal, creating a growing living artwork that questions just what a museum is for.

Starting as an empty white room, Roman Ondak’s Measuring the Universe at Tate St Ives has grown through the contribution of around 90’000 participants to a constellation of black marks. Through the simple action of measuring oneself, Ondak’s work doesn’t just expand on ideas of space and the universal but also the personal, creating a growing living artwork that questions just what a museum is for.

Installations, by Denmark-based Japanese artist Yuko Takada Keller using small, triangular, hand-colored pieces of tracing paper. Amazing.

Installations, by Denmark-based Japanese artist Yuko Takada Keller using small, triangular, hand-colored pieces of tracing paper. Amazing.

How do different materials react with light and perspective? How can we manipulate them?  "At first glance, I thought this was a hologram or a projected image. It amazes me how someone could have the patience to ensure each piece of thread was in place in order to come up with this as the final product. Intensive labor and love for art."

Chalkboard Floral - Signature White Wedding Invitations in Orange Sherbet or Baroque | Coloring Cricket

How do different materials react with light and perspective? How can we manipulate them? "At first glance, I thought this was a hologram or a projected image. It amazes me how someone could have the patience to ensure each piece of thread was in place in order to come up with this as the final product. Intensive labor and love for art."

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