Vintage Jewelry

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An antique diamond and Pearl Oak Leaf Brooch by René Lalique, circa 1880. Designed as a spray of oak leaves framing a natural bouton-shaped pearl and diamond-capped acorn, mounted in silver and yellow gold, French control marks stamped to the pin, and with an applied plaque stamped with the initials ‘RL’ for René Lalique. #Lalique #antique #brooch
ALBION ART
An antique diamond and Pearl Oak Leaf Brooch by René Lalique, circa 1880. Designed as a spray of oak leaves framing a natural bouton-shaped pearl and diamond-capped acorn, mounted in silver and yellow gold, French control marks stamped to the pin, and with an applied plaque stamped with the initials ‘RL’ for René Lalique. #Lalique #antique #brooch
Art Deco Platinum, Onyx, and Diamond Brooch
Sold at auction Art Deco Platinum, Onyx, and Diamond Brooch Auction Number 2496 Lot Number 573 | Skinner Auctioneers
Art Deco Platinum, Onyx, and Diamond Brooch
A RUBY AND DIAMOND BROOCH Designed as a two fuchsia flowers, set with calibrated rubies and pavé-set circular-cut diamonds, circa 1920
A RUBY AND DIAMOND BROOCH | Christie's
A RUBY AND DIAMOND BROOCH Designed as a two fuchsia flowers, set with calibrated rubies and pavé-set circular-cut diamonds, circa 1920
18 Karat Gold, Silver, Plique-a-jour enamel, Citrine and Diamond ‘Poppy’ Brooch
Sotheby’s Magnificent Jewels – New York – December 5th, 2012 (Part 2)
18 Karat Gold, Silver, Plique-a-jour enamel, Citrine and Diamond ‘Poppy’ Brooch
Masriera Flower Pendant. Photo courtesy Cellini Jewelers Flower pendant with transluscent, plique-à-jour enamel and diamonds, with pearl drop accents, in 18-karat yellow and white gold. The flowers detach to make 2 separate brooches. Diamond weight: approximately 2.25 carats total.
Masriera at Cellini Jewelers - Alain.R.Truong
Masriera Flower Pendant. Photo courtesy Cellini Jewelers Flower pendant with transluscent, plique-à-jour enamel and diamonds, with pearl drop accents, in 18-karat yellow and white gold. The flowers detach to make 2 separate brooches. Diamond weight: approximately 2.25 carats total.
FREUNDER - GOLD AND ENAMEL OPENFACE KEYWOUND POCKET WATCH WITH BROOCH, NO. 1879, CIRCA 1830
FREUNDER - GOLD AND ENAMEL OPENFACE KEYWOUND POCKET WATCH WITH BROOCH, NO. 1879, CIRCA 1830
PATEK PHILIPPE CIE AN 18CT GOLD, ENAMEL AND PEARL SET PENDANT WATCH - CIRCA 1905. | © 2014 Sotheby's Australia
PATEK PHILIPPE CIE AN 18CT GOLD, ENAMEL AND PEARL SET PENDANT WATCH - CIRCA 1905. | © 2014 Sotheby's Australia
Antique 18kt Gold, Enamel, and Diamond Pendant Watch, the ivory-tone dial with Arabic numeral indicators and subsidiary seconds dial, pin-set, within an enamel case depicting a pansy, edged with old mine-cut diamond melee, and centering an old European-cut diamond, suspended from a conforming watch pin, total lg. 2 3/8 in., cuvette no. 32555, marked TK.
Bonhams
Antique 18kt Gold, Enamel, and Diamond Pendant Watch, the ivory-tone dial with Arabic numeral indicators and subsidiary seconds dial, pin-set, within an enamel case depicting a pansy, edged with old mine-cut diamond melee, and centering an old European-cut diamond, suspended from a conforming watch pin, total lg. 2 3/8 in., cuvette no. 32555, marked TK.
1670-1675 French Watch at the Metropolitan Museum of Watch, New York - I love the gold filigree work on this piece. After looking at numerous watch cases from the 17th century, each one incredibly ornate and intricate, I'm starting to believe that watches themselves were luxury goods that people would show off as a reflection of their socio-economic status. Would someone who knows more on this be able to enlighten us?
Watchmaker: F. L. Meybom | Watch | French, Paris | The Metropolitan Museum of Art
1670-1675 French Watch at the Metropolitan Museum of Watch, New York - I love the gold filigree work on this piece. After looking at numerous watch cases from the 17th century, each one incredibly ornate and intricate, I'm starting to believe that watches themselves were luxury goods that people would show off as a reflection of their socio-economic status. Would someone who knows more on this be able to enlighten us?
Hippolyte Téterger (French, 1831–after 1891). Watch and Chatelaine, ca. 1875–78. French, Paris. The Metropolitan Museum of Art, New York. Gift of Cele H. and William B. Rubin, 1959 (59.43a–c) | This work is featured in the “The Luxury of Time: European Clocks and Watches” exhibition, on view through March 27, 2016. #LuxuryofTime
Watchmaker: Firm of Bautte et Moynier | Watch | Swiss, Geneva | The Metropolitan Museum of Art
Hippolyte Téterger (French, 1831–after 1891). Watch and Chatelaine, ca. 1875–78. French, Paris. The Metropolitan Museum of Art, New York. Gift of Cele H. and William B. Rubin, 1959 (59.43a–c) | This work is featured in the “The Luxury of Time: European Clocks and Watches” exhibition, on view through March 27, 2016. #LuxuryofTime
Cartier Paris Art Deco Diamond Pin 1926 image Clive Kandel Cartier Collection |
Cartier Paris Art Deco Diamond Pin 1926 image Clive Kandel Cartier Collection
Cartier Paris Art Deco Diamond Pin 1926 image Clive Kandel Cartier Collection |
1630 French Watch at the Metropolitan Museum of Art, New York
Watchmaker: Daniel Le Clerc | Watch | French, Paris | The Metropolitan Museum of Art
1630 French Watch at the Metropolitan Museum of Art, New York
Art Nouveau, Belle Epoque, and Edwardian Jewelry ~ Henri Vever hair comb
Peigne art nouveau (musée des arts décoratifs)
Art Nouveau, Belle Epoque, and Edwardian Jewelry ~ Henri Vever hair comb
Firm of Bautte et Moynier (Swiss, partnership 1826–31). Watch, ca. 1826–31. Swiss, Geneva. The Metropolitan Museum of Art, New York. Anonymous Gift, in memory of Lady May Fletcher-Moulton, 1926 (26.267.14) | This work is featured in the “The Luxury of Time: European Clocks and Watches” exhibition, on view through March 27, 2016. #LuxuryofTime
Watchmaker: Firm of Bautte et Moynier | Watch | Swiss, Geneva | The Metropolitan Museum of Art
Firm of Bautte et Moynier (Swiss, partnership 1826–31). Watch, ca. 1826–31. Swiss, Geneva. The Metropolitan Museum of Art, New York. Anonymous Gift, in memory of Lady May Fletcher-Moulton, 1926 (26.267.14) | This work is featured in the “The Luxury of Time: European Clocks and Watches” exhibition, on view through March 27, 2016. #LuxuryofTime
Georges Fouquet-Art Nouveau bayadére necklace
Collier
Georges Fouquet-Art Nouveau bayadére necklace