Welcome to the real world

Welcome to the real world

http://www.dazeddigital.com/artsandculture/article/30427/1/robert-montgomery-how-to-be-a-punk-poet Robert Montgomery

http://www.dazeddigital.com/artsandculture/article/30427/1/robert-montgomery-how-to-be-a-punk-poet Robert Montgomery

Robert Montgomery

Robert Montgomery

"The people you love become ghosts inside of you and like this you keep them alive" London, UK artist Robert Montgomery

Robert Montgomery

"The people you love become ghosts inside of you and like this you keep them alive" London, UK artist Robert Montgomery

Scottish artist Robert Montgomery installs subversive poetry on billboards, stripping away the large-scale ads for his black-and-white text. Other poems are set on fire. The anonymous works about modern life offer a moment of reflection, away from the consumerist gaze.

10 Guerrilla Poetry Projects

Scottish artist Robert Montgomery installs subversive poetry on billboards, stripping away the large-scale ads for his black-and-white text. Other poems are set on fire. The anonymous works about modern life offer a moment of reflection, away from the consumerist gaze.

Scottish artist Robert Montgomery and his "street art."

Robert Montgomery

Scottish artist Robert Montgomery and his "street art."

Robert Montgomery, actor on stage, screen and radio. Played likable parts, though the occasional reversal could catch viewers unawares. After WWII he began to prefer work behind the camera -- wearing director shoes. (His "No More Ladies" just happens to be playing on TCM as I write.)

Robert Montgomery, actor on stage, screen and radio. Played likable parts, though the occasional reversal could catch viewers unawares. After WWII he began to prefer work behind the camera -- wearing director shoes. (His "No More Ladies" just happens to be playing on TCM as I write.)

Tallulah Bankhead and Robert Montgomery in the pre-Code drama Faithless  (Harry Beaumont, 1932)

Tallulah Bankhead and Robert Montgomery in the pre-Code drama Faithless (Harry Beaumont, 1932)

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