Ein-Fuß-Gänger, Otto Steinert, ca. 1950.

Ein-Fuß-Gänger, Otto Steinert, ca. 1950.

Otto Steinert -Lamps of the Place de la Concorde III 1952 -' ‘Subjective Photography’, he wrote, ‘means humanised, individualised photography and implies the handling of a camera in order to win from the single object the views expressive of its character.’ http://www.tate.org.uk/whats-on/tate-modern/display/otto-steinert

Otto Steinert -Lamps of the Place de la Concorde III 1952 -' ‘Subjective Photography’, he wrote, ‘means humanised, individualised photography and implies the handling of a camera in order to win from the single object the views expressive of its character.’ http://www.tate.org.uk/whats-on/tate-modern/display/otto-steinert

Otto Steinert - Rhythms and Structure (Arc de Triomphe), 1951

Otto Steinert - Rhythms and Structure (Arc de Triomphe), 1951

Otto Steinert, Pont Neuf, Paris, 1949

Otto Steinert, Pont Neuf, Paris, 1949

Otto Steinert - Call, 1950

Otto Steinert - Call, 1950

Otto Steinert - Porträt männlich Zwei Masken,  1949. S) http://firsttimeuser.tumblr.com/post/10374900890/inneroptics-otto-steinert-portrat-mannlich

Otto Steinert - Porträt männlich Zwei Masken, 1949. S) http://firsttimeuser.tumblr.com/post/10374900890/inneroptics-otto-steinert-portrat-mannlich

Otto Steinert - View outside window or ruin, Bedroom in provisional housing, ca. 1950

Otto Steinert - View outside window or ruin, Bedroom in provisional housing, ca. 1950

Kicken Berlin, Otto Steinert, Mond überm Dach, 1949 , Courtesy the artist and the gallery

Kicken Berlin, Otto Steinert, Mond überm Dach, 1949

Kicken Berlin, Otto Steinert, Mond überm Dach, 1949 , Courtesy the artist and the gallery

Otto Steinert, Ein-Fuß-Gänger, 1950

Otto Steinert, Ein-Fuß-Gänger, 1950

Otto Steinert -  “Sunset at Hirstshals”, 1964

Otto Steinert - “Sunset at Hirstshals”, 1964

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