Seventeenth-Century Italian Violin Pattern.  The name of Antonio Stradivari and the date, 1737, both, written on the pattern, Have Been Attributed to the hand of Count Ignazio Alessandro Cozio di Salabue (1744-1840), the Italian collector who obtenues it from Stradivari's son, Paolo.

Seventeenth-Century Italian Violin Pattern. The name of Antonio Stradivari and the date, 1737, both, written on the pattern, Have Been Attributed to the hand of Count Ignazio Alessandro Cozio di Salabue (1744-1840), the Italian collector who obtenues it from Stradivari's son, Paolo.

The Rawlins (1700) an Antonio Stradivari 5 course Guitar  Once again he didnt only make Violins --- https://www.pinterest.com/lardyfatboy/

The Rawlins (1700) an Antonio Stradivari 5 course Guitar Once again he didnt only make Violins --- https://www.pinterest.com/lardyfatboy/

Antonio Stradivari Instrument Maker Italian Luthier Miniature

Antonio Stradivari Instrument Maker Italian Luthier Miniature Collectible Doll

Antonio Stradivari Instrument Maker Italian Luthier Miniature

Antonio Stradivari, by Edgar Bundy, 1893: a romanticized image of a craftsman-hero

Antonio Stradivari, by Edgar Bundy, 1893: a romanticized image of a craftsman-hero

Bass Viola da Gamba, Antonio Stradivari Workshop, Cremona, ca. 1730 Converted into a Violoncello by Jos. Wagner, 1831

Bass Viola da Gamba, Antonio Stradivari Workshop, Cremona, ca. 1730 Converted into a Violoncello by Jos. Wagner, 1831

This violin, The Harrison, is a Stradivari violin, made before 1700. It not only looks beautiful but sounds marvelous.  This is one of the highest prized musical instruments.

This violin, The Harrison, is a Stradivari violin, made before 1700. It not only looks beautiful but sounds marvelous. This is one of the highest prized musical instruments.

Violin bow attributed to the workshop of Antonio Stradivari, Cremona, c1700. This bow is one of only two bows attributed to the workshop of Antonio Stradivari. It has a fluted stick, probably inlaid later in the mid-18C in Spain, with colored fruitwoods. This side of the bow's later mahogany frog (made before 1788) is inlaid with the royal coat of arms of Charles IV (r.1788-1808)

Violin bow attributed to the workshop of Antonio Stradivari, Cremona, c1700. This bow is one of only two bows attributed to the workshop of Antonio Stradivari. It has a fluted stick, probably inlaid later in the mid-18C in Spain, with colored fruitwoods. This side of the bow's later mahogany frog (made before 1788) is inlaid with the royal coat of arms of Charles IV (r.1788-1808)

Antonio Stradivari (Italian, 1644–1737) - Guitar, The Rawlins, 1700 - Spruce, maple, ebony - National Music Museum, The University of South Dakota, Vermillion

Antonio Stradivari (Italian, 1644–1737) - Guitar, The Rawlins, 1700 - Spruce, maple, ebony - National Music Museum, The University of South Dakota, Vermillion

Metropolitan Museum of Art Violin, 1693 Made by Antonio Stradivari (Italian, 1644–1737) Cremona, Italy This violin made by Antonio Stradivari is the only one in existence that has been restored to its original Baroque form. Before modification to produce a louder, more brilliant tone and to extend the left-hand technique to higher positions, Baroque violins had gut strings, a short fingerboard

Metropolitan Museum of Art Violin, 1693 Made by Antonio Stradivari (Italian, 1644–1737) Cremona, Italy This violin made by Antonio Stradivari is the only one in existence that has been restored to its original Baroque form. Before modification to produce a louder, more brilliant tone and to extend the left-hand technique to higher positions, Baroque violins had gut strings, a short fingerboard

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