D'autres idées de Ciké
L.Linden & Rodigas, L’Illustration horticole, 1892

L.Linden & Rodigas, L’Illustration horticole, 1892

«Présage», les expérimentations colorées de Hicham Berrada.

«Présage», les expérimentations colorées de Hicham Berrada.

Lucio Fontana (1899 - 1968). Concetto Spaziale, Attese.

Lucio Fontana (1899 - 1968). Concetto Spaziale, Attese.

Giacomelli, Presa di Coscienza sulla Natura: field aesthetics, get it? giacomelli has to be one of my favorite photographers ever

Giacomelli, Presa di Coscienza sulla Natura: field aesthetics, get it? giacomelli has to be one of my favorite photographers ever

No 5 by Jackson Pollock- 1948

No 5 by Jackson Pollock- 1948

Front cover of De Stijl, periodical, edited by Theo van Doesburg, 1919.

Front cover of De Stijl, periodical, edited by Theo van Doesburg, 1919.

1924. El Lissitzky brought significant innovation and change to typography, exhibition design, photomontage, and book design.

1924. El Lissitzky brought significant innovation and change to typography, exhibition design, photomontage, and book design.

Historia del Arte I: De Stijl Movement or Broadway Boogie Woogie 1942-43: Piet Mondrian

Historia del Arte I: De Stijl Movement or Broadway Boogie Woogie 1942-43: Piet Mondrian

De Stijl | However, it did not follow the general guidelines of an "-ism" (e.g., Cubism, Futurism, Surrealism), nor did it adhere to the principles of art schools like the Bauhaus; it was a collective project, a joint enterprise.

De Stijl | However, it did not follow the general guidelines of an "-ism" (e.g., Cubism, Futurism, Surrealism), nor did it adhere to the principles of art schools like the Bauhaus; it was a collective project, a joint enterprise.

De Stijl | However, it did not follow the general guidelines of an "-ism" (e.g., Cubism, Futurism, Surrealism), nor did it adhere to the principles of art schools like the Bauhaus; it was a collective project, a joint enterprise.

De Stijl | However, it did not follow the general guidelines of an "-ism" (e.g., Cubism, Futurism, Surrealism), nor did it adhere to the principles of art schools like the Bauhaus; it was a collective project, a joint enterprise.