Typos

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7y
Penser la typographie en couleurs – 2c. Structure
A.M. Cassandre - Bifur (1929) Typographie/jaune/barre/noir/variété/unité/charte graphique
Paper Should Not Always Be White, by Daniel Berkeley Updike. Vancouver, BC: Heavenly Monkey, 2013. One of 30 copies. The text in the book is the fifth part from Updike's essay "The Seven Champions of Typography." In this section of the essay, Updike describes how the choice of paper influences the printing on it. In this book, Heavenly Monkey endeavors to visually demonstrate this by printing the passage in Caslon type on fifteen different varieties of paper.
Printing types, their history, forms, and use; a study in survivals Volume 2
1. General history 3. Printing Printing Types: Their History Forms and Use - A Study in Survivals, Vol. 2: Daniel Berkeley Updike
Results for: Book Design > Rogers, Bruce
BRUCE ROGERS, DANIEL BERKELEY UPDIKE & OTHER IMPRINTS.
Poster letter designed by Bruce Rogers for Pelican Press, 1924
Poster letter designed by Bruce Rogers for Pelican Press, 1924 These display wood caps are a virtually forgotten type design by BR, his third after Montaigne and Centaur (not counting Riverside Caslon). I would love to see the whole font.
Ideas and Execution - Pencil to Pixel
Bruce Rogers originally designed Centaur for foundry setting, but later drew this somewhat altered version for the Monotype release in 1929
Bruce Rogers and His Centaur | Harvard Magazine
The first book to be set in Bruce Rogers’s typeface Centaur was The Centaur, by Maurice de GuÈrin, in an edition hand set by Mrs. Rogers and published by the Montague Press in 1915.