Arno SEBBAN artist

Arno SEBBAN artist

ville - paris / artiste - ART - sculpture
Arno SEBBAN artist
D'autres idées de Arno SEBBAN
Arno SEBBAN - Cheminée (commande privée).

Arno SEBBAN - Cheminée (commande privée).

Arno SEBBAN - Elévation . Study on the paradox of an object that is enormous yet light, which rises up, unencumbered by gravity. (brancusi / cragg / harp)

Arno SEBBAN - Elévation . Study on the paradox of an object that is enormous yet light, which rises up, unencumbered by gravity. (brancusi / cragg / harp)

aRno sebban - Coulure I When using Chineese ink, the drops flew, as if wanting to escape the page. Forming legs, the pattern was free to liberate itself and to break away from its frame.

aRno sebban - Coulure I When using Chineese ink, the drops flew, as if wanting to escape the page. Forming legs, the pattern was free to liberate itself and to break away from its frame.

aRno sebban - Coq Like a hand forming a circle, a perspective that invites the traveller to look troug it.

aRno sebban - Coq Like a hand forming a circle, a perspective that invites the traveller to look troug it.

aRno sebban -  Le cochon d’or - Little pig perched on its pedestal, object of devotion.

aRno sebban - Le cochon d’or - Little pig perched on its pedestal, object of devotion.

aRno sebban - architecture interieur - cheminée projet pour particulier.

aRno sebban - architecture interieur - cheminée projet pour particulier.

l’usine à nuages I want to sculpt the absolute matter, the cloud, to create colossal and light volumes; solid and bright.

l’usine à nuages I want to sculpt the absolute matter, the cloud, to create colossal and light volumes; solid and bright.

Black box - Installation  This installation contains forms that we discover by touching it and which we are invited to describe on a note book. This interaction allows the visitor to understand the form even more, clearing visual partialities to keep only the sensation.

Black box - Installation This installation contains forms that we discover by touching it and which we are invited to describe on a note book. This interaction allows the visitor to understand the form even more, clearing visual partialities to keep only the sensation.

Arno SEBBAN - Ben la Christ (le bien, le mal) . 230 x 50 cm - Acier, dorure - 2011 I have personified western icons of both good and evil within the same character, to illustrate the absurdity of a war fought out of devotion to a god.

Arno SEBBAN - Ben la Christ (le bien, le mal) . 230 x 50 cm - Acier, dorure - 2011 I have personified western icons of both good and evil within the same character, to illustrate the absurdity of a war fought out of devotion to a god.

aRno SEBBAN - attirée par la lumiere. I worked the metal so that the light would play across the face, over the female hips, as well as to give the impression that the figure is rising upwards as if drawn by the light.

aRno SEBBAN - attirée par la lumiere. I worked the metal so that the light would play across the face, over the female hips, as well as to give the impression that the figure is rising upwards as if drawn by the light.